2021-2022 Shows

2021-2022 Season


By Frederick Knott
Directed by Jeri Doty
Auditions: Monday and Tuesday, July 26 and 27, 2021; 6 men; 1 woman at 7:00.
Performance Dates: Fridays and Saturdays at 8:00, September 17, 18, 24, 25, 2021 and Sundays at 2:30, September 19,  26, 2021
A sinister con man, Roat, and two ex-convicts, Mike and Carlino, are about to meet their match. They have traced the location of a mysterious doll, which they are much interested in, to the Greenwich Village apartment of Sam Hendrix and his blind wife, Susy. Sam had apparently been persuaded by a strange woman to transport the doll across the Canadian border, not knowing that sewn inside were several grams of heroin. When the woman is murdered the situation becomes more urgent. The con man and his ex-convicts, through a cleverly constructed deception, convince Susy that the police have implicated Sam in the woman’s murder, and the doll, which she believes is the key to his innocence, is evidence. She refuses to reveal its location, and with the help of a young neighbor, figures out she is the victim of a bizarre charade. But when Roat kills his associates, a deadly game of cat and mouse ensues between the two. Susy knows the only way to play fair is by her rules, so when darkness falls she turns off all the lights leaving both of them to maneuver in the dark until the game ends.

By Ivan Menchell
Directed by Laura Reed
Auditions: Monday and Tuesday, September 20 & 21, 2021; 1 man; 4 women
Performance Dates: Fridays and Saturdays at 8:00, November 12, 13, 19, & 20, 2021 and Sundays at 2:30, November 14 & 21, 2021
Three Jewish widows meet once a month for tea before going to visit their husbands’ graves. Ida is sweet-tempered and ready to begin a new life; Lucille is a feisty embodiment of the girl who just wants to have fun; and Doris is priggish and judgmental, particularly when Sam the butcher enters the scene. He meets the widows while visiting his wife’s grave. Doris and Lucille squash the budding romance between Sam and Ida. They are guilt-stricken when this nearly breaks Ida’s heart

Music by Jason Howland; Lyrics by Mindi Dickstein; Book by Allan Knee Directed by A.J. Dinkel
Auditions: Monday and Tuesday, November 15 & 16, 2021; 4 men; 6 woman
Performance Dates: Fridays and Saturdays at 8:00, January 14, 15, 21, & 22, 2022 and Sundays at 2:30, January 16 & 23, 2022
Based on Louisa May Alcott’s life, Little Women follows the adventures of sisters, Jo, Meg, Beth, and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested – her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America.

By Christopher Durang
Directed by Ted Compton
Auditions: Monday and Tuesday, January 17 & 18, 2022; 2 men; 4 woman
Performance Dates: Fridays and Saturdays at 8:00, March 11, 12, 18 &19, 2022 and Sundays at 2:30, March 13 & 20, 2022
Middle-aged siblings Vanya and Sonia share a home in Bucks County, PA, where they bicker and complain about the circumstances of their lives. Suddenly, their movie-star sister, Masha, swoops in with her new boy toy, Spike. Old resentments flare up, eventually leading to threats to sell the house. Also on the scene are sassy maid Cassandra, who can predict the future, and a lovely young aspiring actress named Nina, whose prettiness somewhat worries the imperious Masha.

SHREK (Musical)
Music by Jeanine Tesori; Book and Lyrics by David Lindsay-Abaire
Directed by Sara Solooki
Auditions: Monday and Tuesday, March 14 & 15, 2022; 14 men, 3 women, large ensemble
Performance Dates: Fridays and Saturdays at 8:00, May 13, 14, 20, & 21, 2022 and Sundays at 2:30, May 15 & 22, 2022
“Once upon a time, there was a little ogre named Shrek….” And thus begins the tale of an unlikely hero who finds himself on a life-changing journey alongside a wisecracking Donkey and a feisty princess who resists her rescue. Throw in a short-tempered bad guy, a cookie with an attitude, and over a dozen other fairy tale misfits, and you’ve got the kind of mess that calls for a real hero. Luckily, there’s one on hand… and his name is Shrek.


Theater for Young Audiences

By Roy C. Booth, Bob May, Cristopher Tibbetts
Directed by Sherri Wright
Auditions: Monday and Tuesday at 7:00, October 18 & 19, 2021; 2 men; 3 women & 2-5 boys & 3-6 girls
Performance Dates: Thursday, Friday, and Saturday at 7:30 December 9, 10, & 11, 2021 and Sunday at 2:30 December 12, 2021
Beanie Boren, a science wiz who is not keen on reading, has designed a book reading machine for the science fair. It combines a computer, a mini video cam, and a contraption of his own design to enable one to read three books at once. Unfortunately, the machine is neither user-friendly nor bug-free. When Beanie turns it on, lights flash, thunder booms, and out pop the witches from Snow White, Hansel, and Gretel, and The Wizard of Oz, each set to wreak havoc! Beanie must get them back into the books with help from the good guys in the same stories. Afterward, he is eager to read about his new friends– the old-fashioned way.
Please note the Theater for Young Audiences evening performances begin at 7:30 pm.

By Staci Swedeen
Directed by Mary Fisher
Auditions: Monday and Tuesday, January 3 & 4, 2022; 1 man; 2 women
Performance Dates: Thursday, Friday & Saturday at 8:00, February 17, 18, & 19, 2022 & Sunday at 2:30, February 20, 2022
It is 1994 and Naomi Goldman, recently widowed, is living in an apartment in upper Manhattan. Her son Tony, separated from his wife, lives with her. When Tony’s old college girlfriend Aviva contacts him with the ulterior motive of interviewing and videotaping his mother for a Holocaust memorial project, Tony is appalled. Naomi, reluctant at first, eventually agrees to the interview. Though appearing to be forthright in her story Naomi clearly is hiding a devastating secret. When Aviva pushes her to admit the truth the consequences are life-changing. The Goldman Project is a play about family relations, the lingering legacy of the Holocaust, and the catharsis of self-renewal.